ArchivesSpace at the University of Iowa

Also designated Jargon 31. Each page featuring a facsimile poem has been embellished with a line drawing done by Felding Dawson that consists of a portrait of the poet cited. -- Source of annotation: Marvin or Ruth Sackner.

Published on the occasion of the exhibition "Alchimia della Scrittura" at the Museo Diego Aragona Pignatelli, Naples. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts three Russian Avant Garde facsimile books. -- Source of annotation: Marvin or Ruth Sackner.

Third volume in an ongoing series. First was Love C1972 & second Zygal 1985. -- Source of annotation: Marvin or Ruth Sackner.

Adler has a drawn a small calligraphic, handcolored poem on the cover. -- Source of annotation: Marvin or Ruth Sackner.

This book is also included in an anthology, Saltoarte, an Assembling held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The words of the printed text are arranged to form abstract images. -- Source of annotation: Marvin or Ruth Sackner.

This catalog is illustrated with reproductions of Pey's poem object sticks, with handwritten texts, similar to the work held by the Sackner Archive. An English translation of the poem near the title page by Pey is provided: "To Ruth and Marvin Sackne These sticks of word on the side of the silence, which, writes to us as a voice, to both of you as a poem, in the museum of your hands, friendly, Serge Pey." -- Source of annotation: Marvin or Ruth Sackner.

Pey has inscribed his book with a personal poem to the Sackners. The Archive holds a poetry stick of the artist. -- Source of annotation: Marvin or Ruth Sackner.

Calligraphic drawing by John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Grossteste Review Book Number 8. -- Source of annotation: Marvin or Ruth Sackner.

The book was published as a tribute to the Wallace Berman retrospective at the University Museum in Berkeley. The poems by several contributors were written by Hiirschman and photocopied for this book. There are several photocopied drawings and collages scattered through the book. The cover design was adapted from a grid of four Verifax pieces done by Wallace Berman in 1964. -- Source of annotation: Marvin or Ruth Sackner.

The book was published as a tribute to the Wallace Berman retrospective at the University Museum in Berkeley. The poems by several contributors were written by Hiirschman and photocopied for this book. There are several photocopied drawings and collages scattered through the book, some photocopied colored for this deluxe edition. The cover design was adapted from a grid of four Verifax pieces done by Wallace Berman in 1964. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Pocket Poets Series No.55. Agnetta Falk contributed a calligraphic visual portrait rendering of Hirschman. -- Source of annotation: Marvin or Ruth Sackner.

Bertozzi translated this work from French to Italian. -- Source of annotation: Marvin or Ruth Sackner.

The left facing page is the printed version of the philosophical handwritten musings on the right facing page. -- Source of annotation: Marvin or Ruth Sackner.

This unnumbered copy includes reproductions of two calligrams by Apollinaire. This copy was owned by Saint-John Pearse and carries his initials near the title page as well as some marginalia. Saint-John Perse (also Saint-Leger Leger;[1] pseudonyms of Alexis Leger) (31 May 1887--20 September 1975) was a French poet-diplomat, awarded the Nobel Prize for Literature in 1960 "for the soaring flight and evocative imagery of his poetry." He was a major French diplomat from 1914 to 1940, after which he lived primarily in the United States until 1967. -- Source of annotation: Marvin or Ruth Sackner.